The Anomaly (2014)

Spot the bad guy.

Noel Clarke has something that a lot of actors would kill for. It doesn’t matter who is playing, or in what genre, you want to like him. That likability is not the sole reason he’s been able to succeed as a writer, director and performer, but it’s certainly helped. Sadly, it’s not enough to save The Anomaly from what it is, a bit of a stinker.

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Before I Wake (2016)


Creepy butterflies, not moths, butterflies…

Sleep is a frequent collaborator with horror. From the long nights of Paranormal Activity to the boogeyman under the bed. The dark of the night when you are curled up in bed is often the moment when the spooks decide to play. Should you try to stay awake? Or would you rather not see what is coming?

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Scouts Guide To The Zombie Apocalypse (2015)


‘Always bring protection.’ It’s like condoms you see? Because sex is funny.

Zombies are so overdone that even writing about them being overdone feels overdone. We’ve had zomromcoms, we’ve had biological zoms, and we’ve had Arnie trying to be emotional with zoms. In fact, we’ve heard the word zombie so many times that it’s stopped feeling like a real word. Frankly, it’s all been a bit too much.

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Curtain (2015)


I don’t actually know if this is related to the film, but it does the job.

Horror has delved into many strange places. From biting female genitalia to Nazi zombies, there aren’t many worlds it won’t explore. Yet, to make a serious horror film about a bathroom. That seems ambitious for even the most out there of genres.

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Cabin Fever (2016)


I do quite like this poster, though.

The original Cabin Fever could be packaged up and presented as my first horror movie. If you see it before you’ve dived into that world, you’ll probably enjoy it, but going back to it after watching Evil Dead and Last House On The House makes you realise quite how derivative it is. All of which makes you wonder why the hell you’d decide to remake it.

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Devil (2010)


This poster is more memorable than the entire film.

There are few filmmakers as frustrating as M. Night Shyamalan. When he’s good, he can shock and awe but when he’s bad he feels like a rip-off of himself. Someone trying to capture a magic that they don’t understand. While Devil didn’t come under his direction – that joy goes to John Erick Dowdle – it does come from his script and his fingers are all over it.

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